The history of gyotaku

Gyotaku (gyo=fish, taku=rubbing) originated hundreds of years ago-before the "camera age" as a method to scientifically record the size and unique characteristics of the endless array of species of the "wet world".

As the story goes..... an old samurai fisherman caught a fish and laid it on the riverbank while he continued fishing. For the long walk back to the village , he wrapped the fish in a cloth to sling over his back. When he unwrapped the fish in the village, the muddied side of the fish had left a beautifully detailed "mirror-image " of the fish.

There are two methods of printing- the direct and indirect. The direct method is more common . As the name suggests, inks or paints are applied "directly" to the surface of the prepared fish. When the paper or fabric is impressed upon the fish and lifted , a detailed image is produced- fin for fin, scale for scale. The indirect method is more along the lines of a gravestone rubbing where the paper is molded atop the inkless fish, and then inks or paints are applied with delicate and precise detail.

"I have used the direct method for twenty years , and prefer its spontaneous explosion of uniqueness in color and character. The indirect method is much more controlled in the application of color and detail giving the Gyotaku an 'illustrated' effect. The direct method offers a feeling that the fish is the true artist here and we are justs 'agents of color'. I happen to think the fish deserves that credit." KALANI DEWITT

Gyotaku has evolved over the years from its Utilitarian scientific roots to a level of s ophisticated fine art. From the traditional b lack on w hite trophy prints that provide anglers with un i que bragging right s, to the multi-media collages limited only to the imagination of the artist, Gyotaku has angled its way into homes ,offices, museums, as well as commercial centers around the world.